Compositions
violin and piano 13′
commissioned by Miranda Fulleylove with funds made available by Greater London Arts
first performance: Miranda Fulleylove and Caroline Clemnow, British Music Information Centre, London, 13 April 1988
soprano and large ensemble 38′
Texts: Dickinson, Thoreau, Mary Shelley, Hardy, Blake, Byron
2 (both+picc).2 (1st+ob d’amr).3 (all+bcl, 2nd+asax, 3rd+tsax).1 (+cbn) / 2.0.1.0 / 2 perc.pf (+cel).hp / 1.1.1.1.1
commissioned by Paul Webster for the Orpheus Ensemble with funds made available by the Arts Council of Great Britain
first performance: Jane Ginsborg and the Orpheus Ensemble cond. Paul Webster, Almeida Festival, 27 June 1987
clarinet in A/Ebcl/bcl, violin, cello and piano 20′
commissioned by Quorum with funds made available by Greater London Arts
first performance: Quorum, Purcell Room, London, 17 November 1986
fl, bcl, fgh, vn, db 13′
commissioned by Lysis with funds made available by the Arts Council of Great Britain
first performance: Lysis, Purcell Room, London, 14 January 1986
solo piano 8′
commissioned by Brighton Festival with funds made available by South East Arts
first performance: George Nicholson, Brighton Festival, 24 May 1985
string quartet 20′
commissioned by Wolfson College, Oxford, with funds made available by Southern Arts
first performance: Fairfield Quartet, Wolfson College, Oxford, 2 March 1985
soprano and piano 5′
Texts: Swift, Carroll, Wyndham Lewis and Anon.
commissioned by Brighton Festival with funds made available by South East Arts
first performance: Anne Dawson and Jonathan Hinden, Brighton Festival, 9 May 1984
SATB choir 3′
Text: William Blake
commissioned by the Choir of St James’s, Piccadilly
first performance: the Choir of St James’s Piccadilly cond. Harry Bickett, 11 May 1984
soprano and piano 7′
Texts: William Morris
commissioned by the William Morris Society
first performance: Jane Ginsborg and George Nicholson, Institute of Contemporary Arts, London, 24 March 1984