Compositions
horn, violin and piano 12′
in memory of my father
first performance: Darryl Poulsen, Peter Cropper and George Nicholson, Firth Hal, Sheffield University, 20 March 2007
oboe/oboe d’amore/cor anglais and percussion 20′
first performance: New Noise, Firth Hall, Sheffield University, 13 February 2007
bass clarinet, violin, viola and cello 15′
first performance: Gemini, University of Surrey, 20 September 2006
SATB choir and piano 5½’
Text: traditional in Latin and English translation by Coleridge
horn and harp 8′
first performance: Stephen Stirling and Christina Rhys, St James’s, Piccadilly, London, 11 November 2005 (third movement only)
first complete performance: Stephen Stirling and Christina Rhys, Firth Hall, Sheffield University, 26 February 2008
3 (3rd+picc).3 (3rd+ca).4 (3rd+Ebcl, 4th+bcl).3 (3rd+cbsn)/ 2 sax: SA / 4.3.3.1 / timp.5 perc.hp.cel / strings 37′
first performance: University of Sheffield Symphony Orchestra cond. George Nicholson, City Hall, Sheffield, 11 December 2005
soprano and 7 players 8′
Text: Thomas Hardy
ob, cl, hn, vib, vn, va, vc
first performance: Jane Ginsborg and Sheffield University New Music Ensemble cond. George Nicholson, University Drama Studio, Sheffield, 19 November 2009
One of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performed separately or in any combination.
sop sax, hn, tpt, hp, gtr, perc/1.1.1.1.0 2½’
first performance: Sheffield University New Music Ensemble cond. George Nicholson, St Mark’s, Broomhill, Sheffield, 8 June 2004
soprano and 5 players 8′
Text: Thomas Hardy
fl, bcl, pf, va, vc
One of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performed separately or in any combination.