Compositions

flute, oboe, clarinet (Bb + A), horn, bassoon                    10½’

first performance: Simon Desorgher (flute), Catherine Pluygers (oboe), Philip Edwards (clarinet), Siân Collins (horn), Miles Chapman (bassoon) cond. David Sutton-Anderson, London New Wind Festival, Burgh House, Hampstead, London, 25 October 2024

mixed choir and organ                                                                     5′

Text: Psalm 84

first performance: Sheffield Bach Choir, Darius Battiwalla (organ) cond. George Nicholson, St Mark’s, Broomhill, Sheffield, 17 June 2023

solo guitar                                                                                    9′

in memory of Gilbert Biberian (1944-2023)

solo violin                                                                                 23′

first performance: Madeleine Mitchell, St Andrew’s Festival, Sheffield, 19 November 2023 (last three movements only)

clarinet in Bb and piano                                                                         10′

first performance: Philip Edwards and David Elwin, The Warehouse, London, 1 October 2022

piano trio                                                                                          31′

contrabass flute and contrabass clarinet                                                10½’

solo contrabass clarinet                                                                                     5½’

flute/picc, harp, string quartet                                              38′

in memory of my father-in-law, Bernard Ginsborg (1925-2018)

La Dame à la Licorne was conceived as a ballet score based on the imagery of the celebrated set of early sixteenth century Flemish tapestries housed in the Musée de Cluny in Paris